A graphic signature

Very Real Terrain / Very Real Tree

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SHOT AT BELVEDERE GRADO/ [04]-STUDIOS ARCHIVE

The signature

A place becomes a graphic.

VRT is the graphic signature of [04]-STUDIOS. It connects what we see outside with what we make in the studio: photographs, textures and colours translated into prints, patterns and details on clothing.

Very Real Terrain takes in the landscape. Very Real Tree looks closer: bark, branches, roots and foliage. Two readings of the same signature, carried across our pieces and collections.

01 / The Field

Places, photographs, observations

It starts with being there.

We take photographs in the places we move through. The Carso around Trieste, the mountains, the woods. A surface, a colour or an unexpected detail can become the starting point for a study. These references belong to the studio archive; each new VRT study keeps a record of its own source.

MISURINA POSTER: original Lake Misurina photograph, green slope, conifers and grey rock
Misurina / Dolomites, ItalyOriginal source photograph

An image carried onto clothing.

The Misurina photograph is an early reference in the [04]-STUDIOS archive: a landscape brought into the studio and developed into a printed sweater. It shows the connection between place, image and piece.

Explore the study

The Carso / Trieste, Italy / Ongoing fieldwork

Close to the studio.

Rock, moss, woodland and changing light. The Carso is part of the landscape around the studio and a recurring place of observation.

02 / The Studio

The field comes back with us.

Back in the studio, an image is cropped, drawn over, separated into colour and reworked at different scales. Some studies become patterns. Others remain a single graphic. VRT is the signature that holds that process together.

  1. 01

    Observe & photograph

    Record the place and the detail. Keep the original photograph, its author and the location when known.

  2. 02

    Extract & collect

    Pull out colours, lines and textures. Keep the connection to the source image visible.

  3. 03

    Build the graphic

    Draw, crop, repeat and change scale. Develop a pattern or a standalone mark for the piece.

  4. 04

    Sample & refine

    Bring the artwork onto a material. Check colour, placement and detail on a physical sample before approving production.

03 / Samples & Studies

An ongoing practice

Between the image and the piece.

A digital study is a starting point. Fabric, ink and thread each change the image. Samples help us decide what to keep, what to simplify and what needs another pass.

[04]-STUDIOS misurina-sweater: close-up of the original fabric, color and printed detail
01 / Archive material detail

The image on fabric

A close-up of the existing Misurina sweater shows how the landscape reads on fabric. Scale, texture and the way a garment moves all become part of the image.

VRT digital design study, not a physical sample: moss green woven label and matte hangtag with glossy tree logo
02 / Digital design study

The signature in detail

A digital mockup of the VRT woven label and hangtag. The tree, lettering and tone-on-tone finishes are design studies; physical sampling will determine the final detail and finish.

MISURINA POSTER: original Lake Misurina photograph, green slope, conifers and grey rock
03 / Photographic colour reference

From image to material

A colour taken from a photograph is a reference. The final result is developed and approved on the actual material, where texture and light become part of the colour.

04 / Available Pieces

By [04]-STUDIOS™

VRT, on the piece.

Explore the available pieces carrying the VRT signature. Product pages show current sizes and availability.

The field is part of the studio.

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